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I will have to be a lot older before I can face in public how I treated women as a youngster." I am a violent man who has learned not to be violent and regrets his violence. But I sincerely believe in love and peace. It is the most violent people who go for love and peace. That is why I am always on about peace, you see. I used to be cruel to my woman, and physically – any woman. All that 'I used to be cruel to my woman / I beat her and kept her apart from the things that she loved' was me. He states: "It is a diary form of writing. In a 1980 interview in Playboy with John Lennon and Yoko Ono, Lennon, when asked about the song, said that the song's lyrics came personally from his own experience abusing women in relationships in the past. Referring to the lyrics "I used to be cruel to my woman / I beat her and kept her apart from the things that she loved / Man I was mean but I'm changing my scene / And I'm doing the best that I can", Lennon admitted that he had done things in relationships in the past that he was not proud of. In a 1969 interview, Lennon cited "Getting Better" as an example of "pure Beatles" music, whereby, with the four band members developing a song, "we've all written it and we've all turned it into sort of pure Beatle." In response to McCartney's line, "It's getting better all the time", Lennon replies, "Can't get no worse!" In a December 1983 interview, McCartney praised this contribution as an example of things he "couldn't ever have done self". In this sense, it reflects the contrasting personas of the two songwriters. The title and music suggest optimism, but some of the song's lyrics have a more negative tone.
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In stark contrast, all subsequent choruses are played using a fluid, swing feel, full of anticipated notes that propel the song forward despite the quarter-note droning of the guitar and keyboard.Īccording to Beatles biographer Hunter Davies and MacDonald, the initial idea for the song's title came from a phrase often spoken by Jimmie Nicol, the group's stand-in drummer for the Australian leg of their 1964 world tour.
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Starting out in the verse with a pedal on the root note (G) that leaps two octaves, McCartney moves to a marching quarter-note ( walking) bass line for the first (and only the first) chorus. It was recorded after the main track was completed, as were many of the bass lines on Sgt Pepper's Lonely Hearts Club Band.
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McCartney's bassline, in counterpoint to this droning, was described by music critic Ian MacDonald as "dreamy" and "well thought out as a part of the production by McCartney". The sound of the percussion introduced in this section combines with the tambura to create an Indian mood. Harrison added an Indian tambura part to the final verse, which further accentuates this impact. These heavily accented and repetitive lines cause the song to sound as if it is based on a drone. George Martin plays Pianet and piano, on the latter bypassing the keyboard and directly striking the strings. It moves forward by way of regular chords, produced by Lennon and George Harrison's electric guitar. The song has been said to be musically reminiscent of the Beatles' hit single " Penny Lane".